Gaga and Pitt: Every failure can lead to success. Just Marry the Night, Moneyball?!

Gaga say´s that her new video real message is about her marrying her own personal difficulties. “I did what any girl would do,” she says in a voice over. “I did it all over again.”

Directed by the Lady herself, the video starts off with the singer being wheeled along on a gurney by two Calvin Klein-clad nurses, her hair coiffed in a tousled brunette bob.

“When I look back on my life it’s not that I don’t want to see things exactly as they happened,” a robotic sounding Gaga says in a voice over. “It’s just that I prefer to remember them in an artistic way.”

It’s unclear in video what’s brought the pop star to her bed-ridden state at what appears to be some sort of clinic or insane asylum, but an older nurse who delivered her from birth tells the “morphine princess” to stay away from intimacy for two weeks.

“I’m gonna be a star,” a teary-eyed Gaga tells her. “You know why? Because I have nothing left to lose.”

Flash forward, and the pop-star is a ballerina appearing alone on stage. The next minute, she is topless and laying in bed, when she gets a phone call.

“But I’m an artist,” she says into the receiver, before going absolutely ballistic.

She does what any rejected aspiring pop star would do: smashes mirrors, destroys her apartment and dumps a box of Honey Nut Cheerios over her head before collapsing in a tub. She begins dying her brown locks blond.

As the song finally begins (eight minutes in to the actual video), Gaga tries to sneak into a car through the sunroof while around her, abandoned vehicles burn in the night.

Seconds later, she’s in a dance studio, practicing her best pop-star moves along with a host of other aspiring dancers.

The rest of the video is pretty tame by Gaga standards, save for a few flashbacks to her freaking out in a bathtub. She dances on the streets while wearing blue lipstick. She tumbles down some stairs. She lights a few cars on fire. And then it’s over.

What did the wacky singer think about the final production?

“It was intensely important to me that it was not too beautiful,” she told E! “It was an incredible experience. It was amazing. It was absolutely amazing.”

And we can´t get enough of Gaga, that while the new video debuts, Queen Monster, seems to be doing her metamorphosis into a sexy woman for Vanity Fair.She really takes all she can get and the world is loving. See below:

While Gaga shakes  the dust out of her closet, and  reinvents nothing more then her own domestic pain, in Oakland California, Brad Pitt find a troubled soul during a screening of “Moneyball”.

Actor Brad Pitt reportedly found himself in a real life-or-death drama Sunday night – counseling a man over suicidal thoughts.

The dashing star, 47, encountered the dangerously distraught man during a Q&A session following a special “Moneyball” screening at the Cary Grant Theatre in Culver City, Calif., according to Us Weekly.

The man publicly admitted to Pitt and “Moneyball” costar Jonah Hill that he battled suicidal thoughts alone in his car before the night’s event, the magazine said.

“Look, man, life is up and down, it’s a vicious cycle, but you have to go through it and deal with that,’” Pitt said, according to an observer who spoke to Us Weekly.

“You can be down, but then you come back up again, and every failure can lead to success,” the observer quoted Pitt as saying.

Ever-the-professional, the movie star responded to the choked-up reporter from the stage at the Sony Studios event in Culver City, California, after he recalled “contemplating suicide” in his car last year.

The movie star didn’t dwell on the man’s story, but agreed inspiration was “a big part of this film,” adding stories like Moneyball “don’t come along very often.”

He added the philosophical note about the film, related to the fan’s story: “You can be down, but then you come back up again, and every failure can lead to success.”

Following the Q&A session, staged to mark the international launch of the film in which Pitt portrays real-life former Oakland A’s manager Billy Beane, the actor took a moment to shake the reporter’s hand as he left the auditorium.

A guest at the event tells WENN, “It was a strange but touching moment that rarely happens at a screening session for members of the media. Brad dealt with an awkward situation perfectly.”

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