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Bob Marley and Doo-wop Rare Tapes

 

 

Bob Marley and Doo-wop Rare Tapes

Epic-Bob-Marley-Quote

“Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.”
― Bob Marley


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Bob Marley (February 6, 1945 – May 11, 1981), born Nesta Robert Marley which was later to be changed by passport officials to Robert Nesta Marley, was a Jamaican , guitarist, and activist. He was the most widely known writer and performer of , and more specifically . He is famous for popularising the genre outside of Jamaica and the Caribbean. Much of his music dealt with the struggles of the spiritually wealthy rasta and/or spiritually powerful Jah Rastafari.

Bob Marley was a member of this Rastafari movement, whose culture was a key element in the development of reggae. Bob Marley became the leading proponent of the Rastafari, taking their music out of socially deprived areas of Jamaica and onto the international music scene.


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Now considered a “Rasta” prophet, Marley’s adoption of the characteristic Rastafarian dreadlocks and famous use of marijuana as a sacred sacrament in the late sixties were an integral part of his persona. He is said to have entered every performance proclaiming the divinity of Jah Rastafari.

A few months before his death, Marley was baptised into the Ethiopian Orthodox Church and took the name Berhane Selassie (meaning the Light of the Holy Trinity in Amharic).

His best known crossover songs are a mixture of reggae, rock, and rhythm and blues, which include “I Shot the Sheriff”, “No Woman No Cry”, “Exodus”, “Could You Be Loved”, “Jamming”, and “Redemption Song”. His posthumous album Legend (1984) became the best-selling reggae album ever, with sales of more than 12 million copies.

Marley tragically died of cancer at Cedars of Lebanon Hospital in Miami, Florida on May 11, 1981.

In 1993, Marley was inducted into the Rock and Roll Hall of Fame. Time magazine chose Bob Marley & The Wailers’ album Exodus as the greatest album of the 20th century.

Religion:

Bob Marley was a member of the Rastafari movement, (not rastafaranism as that is seen as a derogortory term as Rasta’s don’t like being refered to as an ism) whose culture was a key element in the development of reggae music in Jamaica. Rastas belive they are outcast from their native Zion and looked on Ethiopia as their real home and Tafarai Makonnen, who took the title Haile Sellasie I(Power of the Holy Trinity in Amharic), after he became the emperor of Ethiopia, as their leader. Rastas belive H.I.M. is Jesus in flesh. Rastas are considered to be black Jews. Rastas claim their root from King Solomon and Abbysinian queen of Sheba, through lineage of their son Menelik, emperor of Abbysinia. H.I.M. is said to be a direct decendant of Menelik. ‘Ras’ means Head and ‘Tafarai” means Creator. ‘Jah’ is the shortened form of the Hebrew word Jehovah. Rastas belive in one truth and that is the truth of His Imperial Majesty, Emperor Haile Sellasie I, King of kings, Lord of lords, conquering Lion of the tribe of Judah, two hundred and twenty-fifth ruler of the three thousand year old Ethiopian empire, elect of Jah, Light of the world. Jah Rastafari live out.Rastas preach a non-materialistic, egalitarian way of life. Bob Marley became a leading proponent of the Rastafari, taking their music out of the socially deprived areas of Jamaica and onto the international music scene. Bob Marley was baptized by the Archbishop of the Ethiopian Orthodox Christian Church in Kingston, Jamaica on November 4, 1980. Marley’s diet was ital; fruit, vegetables and fish; which is food approved by the Rastafari movement.

Bob Marley had 13 children: three with his wife Rita, two adopted from Rita’s previous relationships, and the remaining eight with separate women.[19] His children are, in order of birth:

Imani Carole, born May 22, 1963, to Cheryl Murray;
Sharon, born November 23, 1964, to Rita in previous relationship;
Cedella born August 23, 1967, to Rita;
David “Ziggy”, born October 17, 1968, to Rita;
Stephen, born April 20, 1972, to Rita;
Robert “Robbie”, born May 16, 1972, to Pat Williams;
Rohan, born May 19, 1972, to Janet Hunt;
Karen, born 1973 to Janet Bowen;
Stephanie, born August 17, 1974; according to Cedella Booker she was the daughter of Rita and a man called Ital with whom Rita had an affair; nonetheless she was acknowledged as Bob’s daughter;
Julian, born June 4, 1975, to Lucy Pounder;
Ky-Mani, born February 26, 1976, to Anita Belnavis;
Damian, born July 21, 1978, to Cindy Breakspeare;
Makeda, born May 30, 1981, to Yvette Crichton.


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Bob Marley Top Tracks HERE thanks to last.fm

Bob Marley and Doo-wop Rare Tapes

According to an article in The New York Times, Marley experimented on the tape with different sounds, adopting a doo-wop style on “Stay With Me” and “the slow love song style of 1960′s artists” on “Splish for My Splash”.

What is strange, especially for those accustomed to his reggae, is the style in which Marley sings. On one track, ”Stay With Me,” Marley sings in an almost doo-wop style; on another ”Splish for My Splash,” he appropriates the slow love song style of 1960′s artists like Sam Cooke.

Sometime in the spring of 1968, a lanky, clean-cut 23-year-old Jamaican arrived at an apartment on Valentine Avenue in the Bronx with a guitar and a future no one could have possibly imagined.

He was Bob Marley, who eventually sold tens of millions of albums and built reggae into an international musical movement but who at this point was dead set on learning the mysteries of rhythm and blues. To that end he had gone to the Bronx to sit at the heels of Jimmy Norman, then a 31-year-old composer and crooner who had written dozens of hit songs for the singer and producer Johnny Nash. Mr. Nash had just signed Marley to his record label, JAD Records.

”He was just a nice young guy who loved music,” Mr. Norman recalled. ”He loved the Impressions, and he loved James Brown.”

The two men, along with Marley’s wife, Rita, and Mr. Norman’s writing partner, Al Pyfrom, jammed for the next three days. Then Mr. Norman set up a tape recorder and recorded 24 minutes of music onto a cassette that soon disappeared.

It was not played again for 34 years, during which time Marley become a global superstar and died of cancer at 36 in 1981. Forgotten by Mr. Norman, the tape remained in a box of cassettes in his apartment on the Upper West Side until it was discovered last June by a volunteer from the Jazz Foundation of America who was cleaning the place. By JESSE McKINLEY for The New York Times

Bob Marley Stay With Me Demo 1968

 

Bob Marley Splish For My Splash **Original**

 


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http://www.goodreads.com/author/quotes/25241.Bob_Marley

http://www.last.fm/music/Bob+Marley/+wiki

http://www.nytimes.com/2002/12/19/arts/pre-reggae-tape-of-bob-marley-is-found-and-put-on-auction.html

http://en.wikipedia.org/wiki/Bob_Marley

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The ArtProtesters Database Showing Visual Austerity: Burn Baby Burn

 

The art of documenting a protest: Artprotesters

A database of “artistic consternation”: artprotesters

( http://artprotesters.wix.com/artprotesters ) is fighting against the measures of austerity experienced in Portugal and within Europe. Artprotesters started their first video three months ago, on June  2012, as an initiative of the visual artist Joao Galrão and Joao Vilhena.

Joao Galrão and Joao Vilhena – Artprotesters


The artists and creators involved come from different areas of the globe and the arts industry, and have expressed their support to the initiative. They had the idea of burning their art in a series of 10 videos that are presented daily either on facebook or on their official page, on the artprotesters channel in youtube, and in Tumblr. There is also the official artprotesters group on facebook.

The criterion for the construction of this online database is to leave an accessible record worldwide expressing and documenting the effect of austerity measures currently experienced by the reduction in culture expenditure in Portugal .

The intention is to leave a historical record for the world (the site is mostly done in English) and illustrate that art is essential to human life, and that austerity measures imposed on Europe, and in this case on Portugal, are unsustainable. The final panel on the page of each artist (which are permanently accessible from the 10 videos) allows the visitor to consider, according to the view of the art creator, what are the arts and what the world would be like without art or culture. During the 10 days of exhibition each artist a new video will be posted daily. At the end of the 10 days, all the videos of the artist will be on display along with the artist’s statements, all available for viewing in the database.

Marcel Duchamp Burning, Artwork by Joao Aires (Br)

In response to the extinction of the ministry of culture in Portugal, this initiative is now on project number 7, with no signs of slowing down. It includes both established names and new comers to the world of arts, representing the whole creative industry.

It began with Joao Galrão’s protest, (Project 1) burning works in his studio, followed by Joao Vilhena exploding his works and using scenes of explosions from various movies (Project 2). In the  Project 3, the photographer and artist, Joao Bacelar, connected universes like fashion, art and design. He raised practical considerations about the current reality of art, while his work was burned in different ways.

 

In a protest where the arts being demonstrated as essential to life, film director Raquel Freire burnt her movie “Rasganço” in front of the Assembly of the Republic in Portugal, Lisbon (Project 4). This movie was a benchmark for the generation born after the dictatorship in Portugal. The filmmaker’s voice was clear in her statement, saying:

I’m an artist born during the carnation revolution of freedom and democracy. In Portugal the European policies of austerity implemented by the government have extinguished the ministry of Culture. Crisis is always the excuse used in history to eliminate the artist and their work. What is a people without culture, without art, without identity? A slave people. A people who survive, but don’t live.

If we artists are forced to stop creating our culture, if the people’s culture and art cannot be alive anymore, we are a people condemned to death.
Artists in Portugal are struggling to survive. Our creative work is becoming impossible, we fight against this impossibility by putting at stake our own artistic principles, burning our works to make everybody understand that we cannot live without art. As an artist, I refuse to give up.”

Project 5 comes from Brazil, though from an artist who has spent time in Portugal, Joao Aires. With a voice of support for “non-indifference in Art” he proposes that we think about what would be the history of the world without artists, burning his paintings of famous icons such as Duchamp, Dali, Picasso, Pollock and others, all recorded as a silent film. Joao Aires states:

I am not in Portugal because the whole situation of my life led me to another country. But I sympathise with the artists in Portugal and so I decided to burn portraits of great artists that marked our history.

The question is, how would I record the world’s history without the history of their artists? I am doing this in response to the extinction of the ministry of culture, and with other artists, to record our position of non-indifference.”
The video in Project 6, from the artist Alexandre Sequeira Lima, creates ten metaphors for the viewer, giving him tools to contemplate what actually is being watched, evoking visual poetry. As the artist states:

Corruption is so established that it is advertised in the newspapers and the kids grow up thinking it’s cool to be corrupt and that football is education.

I claim the blood of the Poets and the only religion I recognize is Art. I claim on behalf of the dead, offended and humiliated victims. It’s insane what some insist on calling democracy in Portugal, with this lack of Culture. ”

Project 7 was released between 10 to 19 August. The artist and producer Natércia Caneira burns ten pieces of her art, thus making seen what is usually unseen to the viewer: the effect of the loss of art and culture. The viewer is left watching what is no longer there.

 

Natercia Caneira says :

Sustainability, integration and capacity building t is urgent to change our current situation and we need steps to recreate a new stream of cultural policies. I am currently in residence at the Museum Bernardo, an institution without government support, and I offer the work done here to be burned as an objection to the cultural context in which we are all living. ”

Natercia Caneira Art Protest

A display formed showing the destruction of works, on paper, and invoking common sense as essential in cultural management. It is a visual metaphor that can be viewed daily, with a series of ten videos. It incorporates the dynamic intervention of this artist who reminds us that it is possible, indeed essential, to create and support sustainable artistic flows. Natercia has worked with several museums in Portugal, and has exhibited regularly since 2001. Promotes parallel to your work or home production benefiting the flow between Portugal and the United States.

You can access the online platform hosted in

“http://artprotesters.wix.com/artprotesters and visit the exhibition where new projects are underway. Visitors can also view the pages and videos of the completed projects, along with the statements of the artists.

The current project runs from the 20th to the 29th of August 2012, and presents a voice from Germany, Brigitte Dunkel. She is a performance artist who crosses art with fashion, in an artistic discourse on solidarity. Reminding everyone how the ferocity of these austerity measures cause immense damage to culture and education, representing not just a people but a global identity, whose voice is only the evident embarrassment wihin the current economic climate. Brigitte was born shortly after World War II and offers us 10 videos in which fire turns her art into a visual presentation of what it means to be extinguished.


In her statement Brigitte says:

On the situation of fellow artists and our culture in Portugal, and our old dreams: As a visual artist from Germany, the destruction of my ten pieces of art for me was an opportunity for artists to act together, breaking all boundaries, in support of the Art Protesters project, with the hope of:
- realising better working and living conditions for all artists,
- being against the frivolous neglect and abandonment of existing culture by politics and economics, in Portugal, in Europe, indeed everywhere in the world.
For each artist, it should be certain to never give up, and keep going against all odds.
IN ART WE TRUST !”
Brigitte Dunkel

Matetip asked Brigitte why she decided to support this database. Her reply was:

I think it is a general problem of all artists, to live from the production of art only. For some centuries art has suffered, but the current economic and financial crisis, in countries such as Portugal, is subject to particularly drastic austerity measures in the field of culture. The measures should be negotiated, with the inclusion and participation of fellow artists; those who are still working, and to negotiate better conditions, especially for those who have had to leave art due to a lack of income.”

Matetip: Can you recall the effects of austerity in any other period you have lived and how did that affect the identity of a nation and its culture ?

Brigitte Dunkel: Put it this way: the German post-war period (which I know only partly from my own experience) was a time of economic struggle and has had an impact on the culture – I am convinced that life and consequent working conditions always have an impact on the cultural production. There is a need to prevent this, but it is never achieved. We all know the necessary requirements to create art, for example, a work space, work materials, etc, but their absence makes work very restrictive and can even prevent the creation of art.

As for the 9th project, and celebrating 100 videos and 100 days on air, the public will be able to recall the best moments of each video, preparing the reentré. Each artist was invited to pick his or her favourite video.

The 10th project, on the 9th of September (until 30 of August) will be by the artist, Alexandra Pereira, another portuguese who now lives in London, UK. Her statement says:

«Be not offended: I speak not as in absolute fear of you. I think our country sinks beneath the yoke: it weeps, it bleeds
and each new day a gash is added to her wounds.»
W. Shakespeare, Macbeth (c.1606)

“There can not be any greater prosperity: no society is democratic, proud, developed or civilized without a
strong and solid culture, no spirit is truly loose or free. Now who, but despots, might want to govern over a nation of slaves? Our values are not quoted on the stock exchange, our talents will not be subjected to urgent and massive privatization operations, our priorities and principles are extraordinarily diverse, fortunately unsubmissive to ratings – be they imposed or self-inflicted ones – and they are still not up for auction! Mister prime, a primordial appeal: please don’t show off the national flag on your lapel, sir – show off the dignity, character and cultural integrity of your own people instead (you know: it was not quite “this” what the republicans had in mind, so that now effluvious minds can exhale around, manipulating with propagandistic purposes connected to measures that serve anything but the national ambitions, their visual symbols…). No government is electorally and/or troikally legitimated to deprive a people of their visual culture,art history, tangible, intangible, quasi-tangible, aeriform, cremated, liquefied, vaporous or metaphysical cultural heritage, to decimate creators, vilely attack them (even publicly, in newspaper columns), neglect and disregard their activity with vicious slanders and sordid ignominies (what an atrocious shortsightedness, what a repugnant sense of statesmanship…), or to deprive the overwhelming majority of its owncitizens of the right of free access to and enjoyment of cultural assets.
The situation faced by visual artists in Portugal is unsustainable. No non-totalitarian regime acts with similar contempt for the pieces that unite the cultural and identitary puzzle of their own people. Few non-totalitarian regimes have a parallel and so fruitful history of ingratitude, non-recognition, disdain, ignorance, revenge on, alienation, estrangement, banishment and exile of their own artists and intellectuals. The way to politically attack culture is (has always been, will always be) to prevent – by any means necessary: in older times, a shot in one’s body, an exile, a prison, someone banished – its agents from producing, flourishing, divulging, uniting or expressing opinion, demanding, innovating (instead of selling their art to the status of the innocuous decorative, emptying it of substance…), creating breath-friendly spaces, having minimum subsistence conditions (instead of precariously surviving, or dedicating themselves to other activities – thus forcefully and shamefully silenced… besides professional and vocationally frustrated), contradicting the aesthetic impositions (and arbitrary choices) by media and institutions manipulated by the regime, diversifying the range of options available, shaking up the critical mass that can foster surprising or creative social and cultural developments, rather than the airtighting privilege of the predictable, mediocre and vicious lobbies established. Creative entropy breeds civic and civil freedom. The existing anticultural Portuguese and European policies are anticitizenship ones, as much as criminal: they should stimulate thinkers, inventors and producers rather than usurers without ideas and with no queasiness whatsoever.

To estrange a people from their own cultural and identitary heritage, their own excellence and history, their most notable visual heritage, their unique and valuable contributions to contemporaneity, in a globalized, increasingly and flavourlessly standardized world, where universalism and difference are equally required, is the equivalent to
committing the cultural genocide of such a people. Alexandra Pereira”


 

More artists and creative people are continuing to contribute, with multi-disciplinary approaches, creating a documentary database demonstrating that a world without culture, as a country without governance, is an entity with no future; that modern reality, as increasingly apparent, should not destroy the identity of a people, but people should be liberated through culture in their natural state as essentially unique, diverse and expansive.

More than just a starting point, the visual representation of the effects of austerity to which creators and artists have succumbed, shows to the watching world, a clear statement of a global force in unison in which we agree that only through education and culture is their the motivation for existence of a better world.

As the official website states:

The artists in Portugal are in a critical situation. Protest against European policies of austerity, against Portugal and its artists. The current government abolished the Ministry of Culture and is progressively impoverishing the Portuguese. The artists are burning their works, in an abject refusal to fade out.

Both Joao Galrão and Joao Vilhena admitted in their statements accompanying their projects (1 and 2) that, as founders, it is painful and difficult to sacrifice and burn ten works of art over which they have invested so much labour. However, they believe this database serves to make visible what happens in silence: artists and culture vanishing. Given the list of artists (40 artists are already listed as participants, with their projects for destruction being planned), and a file that already has 90 videos, artprotesters seems to be gaining huge momentum, and like a huge raised fist of defiance, clearly has a unique and powerful voice in the crowd.

THE CELEBRITY WORKOUT: TRUE BLOOD’S JOE MANGANIELLO

THE CELEBRITY WORKOUT: TRUE BLOOD’S JOE MANGANIELLO

HOW HBO’S NEWEST HUNK GOT LEAN, MEAN, AND HUNGRY LIKE THE WEREWOLF.


It takes a certain kind of man to play a werewolf. So it’s fair to assume that Joe Manganiello was a decent physical specimen when he turned up to audition for HBO’s True Blood. But after he landed the role of the lycanthrope Alcide Herveaux, Manganiello realized he still had some work to do.


“When I read the books True Blood was based on, I saw that Herveaux had biceps the size of boulders. Then I learned that wolves can run 50 miles at a time,” the 34-year-old Pennsylvania native says. Manganiello required a rare combination of brute strength and agility, so he called in Ron Matthews, the Hollywood trainer who transformed Hugh Jackman into Wolverine. Matthews explained that Manganiello was plenty ripped but that body fat obscured all of his definition. “I was constantly mistaken for a professional football player,” the actor says. Through Matthews’ program of low-weight, high-rep, cardio-intensive workouts, Manganiello dropped 15 pounds and lowered his body fat from 18 percent to 8. The new regimen made his muscles longer and more limber, boosted his endurance, and made him lighter on his feet. “The idea wasn’t only to make me look a certain way but to move a certain way,” says Manganiello, whose bare-chested heroics helped him become the hit show’s newest heartthrob. “I didn’t want to be like one of those statuesque eighties action stars.”

“I needed a sinewy, animalistic look, so we carved down my body.” — Joe Manganiello


Get His Workout
Manganiello exercises twice a day, six times a week, starting with a cardio session on an empty stomach. He keeps it low-intensity to ensure he burns fat, not muscle. In the evenings, he hits the weights, never doing the same workout twice by switching up reps, sets, and exercises. Here’s a typical week.

MONDAY
a.m.: Elliptical
p.m.: Legs, chest

TUESDAY
a.m.: Interval sprinting
p.m.: Back, triceps

WEDNESDAY
a.m.: Elliptical
p.m.: Shoulders, biceps

THURSDAY
a.m.: Interval sprinting
p.m.: Legs, chest

FRIDAY
a.m.: Elliptical
p.m.: Back, triceps

SATURDAY
a.m.: Interval sprinting
p.m.: Shoulders, biceps

SUNDAY
Rest

 

Please click here to check out Brad Pitt workout for Troy as may be also helpful.

PHOTOGRAPHS BY CHRIS MCPHERSON

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50 Stress Relieving TiPS that take 5 minutes or Less

In The Emotion Machine, Self-improvement advice for the 21st Century website:

Finding ways to relieve stress is absolutely crucial in today’s chaotic world. We need daily buffers to remind us that we are living, thinking, and feeling human beings, not just work-a-holic machines.

 

If we don’t attend to our stress, we can very quickly build up unhealthy levels, sometimes leading to serious conditions like heart disease, diabetes, gastrointestinal disorders, eating problems, insomnia, and substance abuse, as well as less severe ailments like headaches, muscle pains, and fatigue.

 

Because everyone experiences stress, and it is an unavoidable facet of life, we all need to find our own methods to cope with it.

 

Stress can be alleviated in a variety of ways, but what works for some may not work for others. A lot of it depends on our personality, what habits we find enjoyable, and how creative we are with our limited free time. I took it upon myself to try and come up with 50 potential stress relievers. You may find some useful and some not so useful. That’s OK.


1. Take ten deep breaths.

2. Do push-ups, crunches, or pull-ups

3. Play with a pet

4. Take a short walk

5. Read an article in the newspaper

6. Call a friend

7. Listen to a song

8. Watch a video on YouTube

9. Play an instrument

10. Meditate

11. Eat a healthy snack

12. Spark a conversation

13. Make yourself a cup of coffee

14. Sit in the sun and get some fresh air

15. Doodle

16. Sing a favorite song

17. Dance

18. Drum on your desk

19. Count your blessings

20. Make plans to go out to dinner

21. Go outside and feed the birds

22. Do a small favor for someone

23. Write a note to a loved one

24. Water the plants

25. Look through a photo album

26. Take a shot of liquor or take a hit of cannabis – unwind a bit

27. Do a search on Google for “funny jokes”

28. Gaze at the stars

29. Get a back massage

30. Stretch or do yoga

31. Take a quick shower

32. Write a poem

33. Check your email or Facebook

34. Make a list of old things around the house to donate

35. Clean your desk

36. Try a word puzzle or Sudoku

37. Spend a moment with your children

38. Do jumping jacks

39. Scream at the top of your lungs (or into a pillow if you don’t want to disturb anyone)

40. Go to the bathroom

41. Play a game of billiards or ping pong

42. Check the local weather report

43. Sit somewhere with good scenery

44. Make a list of things to do on the weekend

45. Recite a prayer

46. Daydream

47. Wash your face with cold water

48. Take a power nap (make sure to set an alarm!)

49. Read your affirmations

50. Drive around town briefly

 As in
www.theemotionmachine.com/50-stress-relievers-that-take-5-minutes-or-less/

 

Futures Studies (History of the Future)


FUTUROLOGY

Futures studies (also called futurology) is the study of postulating possible, probable, and preferable futures and the worldviews and myths that underlie them. There is a debate as to whether this discipline is an art or science. In general, it can be considered as a branch under the more general scope of the field of history. Futures studies (colloquially called “futures” by many of the field’s practitioners) seeks to understand what is likely to continue, what is likely to change, and what is novel. Part of the discipline thus seeks a systematic and pattern-based understanding of past and present, and to determine the likelihood of future events and trends.[1] Unlike science where a narrower, more specified system is studied, futures studies concerns a much bigger and more complex world system. The methodology and knowledge are much less proven as compared to natural science or even social science like sociologyeconomics, and political science.

Contents

Overview

Futures studies is an interdisciplinary field, studying yesterday’s and today’s changes, and aggregating and analyzing both lay and professional strategies and opinions with respect to tomorrow. It includes analyzing the sources, patterns, and causes of change and stability in an attempt to develop foresight and to map possible futures. Around the world the field is variously referred to as futures studiesstrategic foresightfuturisticsfutures thinking or futuring. Futures studies and the sub-discipline strategic foresight are the academic field’s most commonly used terms in the English-speaking world.

Foresight may be the oldest term for the field. In a 1932 BBC broadcast the visionary author H.G. Wells called for the establishment of “Departments and Professors of Foresight”, presaging the development of modern academic futures studies by approximately 40 years.[2] ”Futurology” is a term common in encyclopedias, though it is used almost exclusively by nonpractitioners today, at least in the English-speaking world. “Futurology” is defined as the “study of the future.”[3] The term was coined byGerman professor Ossip K. Flechtheim in the mid-1940s, who proposed it as a new branch of knowledge that would include a new science of probability. This term may have fallen from favor in recent decades because modern practitioners stress the importance of alternative and plural futures, rather than one monolithic future, and the limitations of prediction and probability, versus the creation of possible and preferable futures.

Three factors usually distinguish futures studies from the research conducted by other disciplines (although all of these disciplines overlap, to differing degrees). First, futures studies often examines not only possible but also probable, preferable, and “wild card” futures. Second, futures studies typically attempts to gain a holistic orsystemic view based on insights from a range of different disciplines. Third, futures studies challenges and unpacks the assumptions behind dominant and contending views of the future. The future thus is not empty but fraught with hidden assumptions. For example, many people make predictions of the collapse of the Earth’s ecosystem, in the near future. A foresight approach would seek to analyse and so highlight the assumptions underpinning such views.

Futures studies does not generally focus on short term predictions such as interest rates over the next business cycle, or of managers or investors with short-term time horizons. Most strategic planning, which develops operational plans for preferred futures with time horizons of one to three years, is also not considered futures. But plans and strategies with longer time horizons that specifically attempt to anticipate and be robust to possible future events, are part of a major subdiscipline of futures studies called strategic foresight.

The futures field also excludes those who make future predictions through professed supernatural means. At the same time, it does seek to understand the models such groups use and the interpretations they give to these models.

Probability and predictability

Some aspects of predicting the future, such as celestial mechanics, have been discovered to be highly statistically predictable, and may even be described by relatively simple mathematical models. At present however, science has yielded only a special minority of such “easy to predict” physical processes. Theories such as chaos theorynonlinear science and standard evolutionary theory have allowed us to understand many complex systems as contingent (sensitively dependent on complex environmental conditions) and stochastic (random within constraints), making the vast majority of future events unpredictable, in any specific case.

Not surprisingly, the tension between predictability and unpredictability is a source of controversy and conflict among futures studies scholars and practitioners. Some argue that the future is essentially unpredictable, and that “the best way to predict the future is to create it.” Others believe, as Flechtheim, that advances in science, probability, modeling and statistics will allow us to continue to improve our understanding of probable futures, while this area presently remains less well developed than methods for exploring possible and preferable futures.

As an example, consider the process of electing the president of the United States. At one level we observe that any U.S. citizen over 35 may run for president, so this process may appear too unconstrained for useful prediction. Yet further investigation demonstrates that only certain public individuals (current and former presidents and vice presidents, senators, state governors, popular military commanders, mayors of very large cities, etc.) receive the appropriate “social credentials” that are historical prerequisites for election. Thus with a minimum of effort at formulating the problem for statistical prediction, a much reduced pool of candidates can be described, improving our probabilistic foresight. Applying further statistical intelligence to this problem, we can observe that in certain election prediction markets such as the Iowa Electronic Markets, reliable forecasts have been generated over long spans of time and conditions, with results superior to individual experts or polls. Such markets, which may be operated publicly or as an internal market, are just one of several promising frontiers in predictive futures research.

Such improvements in the predictability of individual events do not though, from a complexity theory viewpoint, address the unpredictability inherent in dealing with entire systems, which emerge from the interaction between multiple individual events.

Methodologies

Futures practitioners use a wide range of models and methods (theory and practice), many of which come from other academic disciplines, including economics,sociologygeographyhistoryengineeringmathematicspsychologytechnologytourismphysicsbiologyastronomy, and aspects of theology (specifically, the range of future beliefs).

Futures studies takes as one of its important attributes (epistemological starting points) the on-going effort to analyze alternative futures. This effort includes collecting quantitative and qualitative data about the possibility, probability, and desirability of change. The plurality of the term “futures” in futures studies denotes the rich variety of alternative futures, including the subset of preferable futures (normative futures), that can be studied.

Practitioners of the discipline previously concentrated on extrapolating present technologicaleconomic or social trends, or on attempting to predict future trends, but more recently they have started to examine social systems and uncertainties and to build scenarios, question the worldviews behind such scenarios via the causal layered analysis method (and others) create preferred visions of the future, and use backcasting to derive alternative implementation strategies. Apart from extrapolation and scenarios, many dozens of methods and techniques are used in futures research (see below).

Futures studies also includes normative or preferred futures, but a major contribution involves connecting both extrapolated (exploratory) and normative research to help individuals and organisations to build better social futures amid a (presumed) landscape of shifting social changes. Practitioners use varying proportions of inspiration and research. Futures studies only rarely uses the scientific method in the sense of controlled, repeatable and falsifiable experiments with highly standardized methodologies, given that environmental conditions for repeating a predictive scheme are usually quite hard to control. However, many futurists are informed by scientific techniques. Some historians project patterns observed in past civilizations upon present-day society to anticipate what will happen in the future. Oswald Spengler’s “Decline of the West” argued, for instance, that western society, like imperial Rome, had reached a stage of cultural maturity that would inexorably lead to decline, in measurable ways.

Futures studies is often summarized as being concerned with “three Ps and a W”, or possible, probable, and preferable futures, plus wildcards, which are low probability but high impact events (positive or negative), should they occur. Many futurists, however, do not use the wild card approach. Rather, they use a methodology calledEmerging Issues Analysis. It searches for the seeds of change, issues that are likely to move from unknown to the known, from low impact to high impact.

Estimates of probability are involved with two of the four central concerns of foresight professionals (discerning and classifying both probable and wildcard events), while considering the range of possible futures, recognizing the plurality of existing alternative futures, characterizing and attempting to resolve normative disagreements on the future, and envisioning and creating preferred futures are other major areas of scholarship. Most estimates of probability in futures studies are normative and qualitative, though significant progress on statistical and quantitative methods (technology and information growth curves, cliometrics, predictive psychology, prediction markets, etc.) has been made in recent decades.

Futures techniques

Main article: Futures techniques

While forecasting – i.e., attempts to predict future states from current trends – is a common methodology, professional scenarios often rely on “backcasting“: asking what changes in the present would be required to arrive at envisioned alternative future states. For example, the Policy Reform and Eco-Communalism scenarios developed by the Global Scenario Group rely on the backcasting method. Practitioners of futures studies classify themselves as futurists (or foresight practitioners).

Futurists use a diverse range of forecasting methods including:

Shaping alternative futures

Futurists use scenarios – alternative possible futures – as an important tool. To some extent, people can determine what they consider probable or desirable using qualitative and quantitative methods. By looking at a variety of possibilities one comes closer to shaping the future, rather than merely predicting it. Shaping alternative futures starts by establishing a number of scenarios. Setting up scenarios takes place as a process with many stages. One of those stages involves the study of trends. A trend persists long-term and long-range; it affects many societal groups, grows slowly and appears to have a profound basis. In contrast, a fad operates in the short term, shows the vagaries of fashion, affects particular societal groups, and spreads quickly but superficially.

Sample predicted futures range from predicted ecological catastrophes, through a utopian future where the poorest human being lives in what present-day observers would regard as wealth and comfort, through the transformation of humanity into a posthuman life-form, to the destruction of all life on Earth in, say, a nanotechnologicaldisaster.

Futurists have a decidedly mixed reputation and a patchy track record at successful prediction. For reasons of convenience, they often extrapolate present technical and societal trends and assume they will develop at the same rate into the future; but technical progress and social upheavals, in reality, take place in fits and starts and in different areas at different rates.

Many 1950s futurists predicted commonplace space tourism by the year 2000, but ignored the possibilities of ubiquitous, cheap computers, while Marxist expectations ofutopia have failed to materialise to date. On the other hand, many forecasts have portrayed the future with some degree of accuracy. Current futurists often present multiple scenarios that help their audience envision what “may” occur instead of merely “predicting the future”. They claim that understanding potential scenarios helps individuals and organizations prepare with flexibility.

Many corporations use futurists as part of their risk management strategy, for horizon scanning and emerging issues analysis, and to identify wild cards – low probability, potentially high-impact risks.[4] Every successful and unsuccessful business engages in futuring to some degree – for example in research and development, innovation and market research, anticipating competitor behavior and so on.[5][6]

Weak signals, the future sign and wild cards

In futures research “weak signals” may be understood as advanced, noisy and socially situated indicators of change in trends and systems that constitute raw informational material for enabling anticipatory action. There is confusion about the definition of weak signal by various researchers and consultants. Sometimes it is referred as future oriented information, sometimes more like emerging issues. Elina Hiltunen (2007), in her new concept the future sign has tried to clarify the confusion about the weak signal definitions, by combining signal, issue and interpretation to the future sign, which more holistically describes the change.[7]

“Wild cards” refer to low-probability and high-impact events, such as existential risks. This concept may be embedded in standard foresight projects and introduced into anticipatory decision-making activity in order to increase the ability of social groups adapt to surprises arising in turbulent business environments. Such sudden and unique incidents might constitute turning points in the evolution of a certain trend or system. Wild cards may or may not be announced by weak signals, which are incomplete and fragmented data from which relevant foresight information might be inferred. Sometimes, mistakenly, wild cards and weak signals are considered as synonyms, which they are not.[8]

Near-term predictions

A long-running tradition in various cultures, and especially in the media, involves various spokespersons making predictions for the upcoming year at the beginning of the year. These predictions sometimes base themselves on current trends in culture (music, movies, fashion, politics); sometimes they make hopeful guesses as to what major events might take place over the course of the next year.

Some of these predictions come true as the year unfolds, though many fail. When predicted events fail to take place, the authors of the predictions often state that misinterpretation of the “signs” and portents may explain the failure of the prediction.

Marketers have increasingly started to embrace futures studies, in an effort to benefit from an increasingly competitive marketplace with fast production cycles, using such techniques as trendspotting as popularized by Faith Popcorn.[dubious – discuss]

Trend analysis and forecasting

Mega-trends

Trends come in different sizes. A mega-trend extends over many generations, and in cases of climate, mega-trends can cover periods prior to human existence. They describe complex interactions between many factors. The increase in population from the palaeolithic period to the present provides an example.

Potential trends

Possible new trends grow from innovations, projects, beliefs or actions that have the potential to grow and eventually go mainstream in the future (for example: just a few years ago, alternative medicine remained an outcast from modern medicine. Now it has links with big business and has achieved a degree of respectability in some circles and even in the marketplace).

Branching trends

Very often, trends relate to one another the same way in which a tree-trunk relate to branches and twigs. For example, a well-documented movement toward equality between men and women might represent a branch trend. The trend toward a minimizing differences in the relationship between the salaries of men and women in theWestern world could form a twig on that branch.

Life-cycle of a trend

When does a potential trend gain acceptance as a bona fide trend? When it gets enough confirmation in the various media, surveys or questionnaires to show it has an increasingly accepted value, behavior or technology. Trends can also gain confirmation by the existence of other trends perceived as springing from the same branch. Some commentators claim that when 15% to 25% of a given population integrates an innovation, project, belief or action into their daily life then a trend becomes mainstream.

Other suggestions for thinking about the future

  • “Any useful idea about the future should appear to be ridiculous.” (Jim Dator)
  • “Take hold of the future or the future will take hold of you.” (Patrick Dixon)
  • “The future is clear to me. What I don’t understand is the present.” (Gerhard Kocher)
  • “There are no future facts.” (Fred Polak)
  • “A part of our future appears to be evolutionary and unpredictable, and another part looks developmental and predictable. Our challenge is to invent the first and discover the second.” (John Smart)
  • “The problem with the future is that it keeps turning into the present.” (Hobbes, of Calvin and Hobbes)
  • “Future is not ours to say but preparation is a must!” (Larcy Pascual)
  • “Prediction is very difficult, especially about the future.” (Niels Bohr)

History

Futures studies emerged as an academic discipline in the mid-1960s, according to first-generation futurists Herman KahnOlaf HelmerBertrand de JouvenelDennis GaborOliver MarkleyBurt Nanus, and Wendell Bell.[9] However, some intellectual foundations of futures studies appeared in the mid-19th century. In 1997, Wendell Bell suggested that Comte‘s discussion of the metapatterns of social change presages futures studies as a scholarly dialogue.[9]

Johan Galtung and Sohail Inayatullah[10] go further back arguing in Macrohistory and Macrohistorians that the search for grand patterns of social change takes us back to Ssu-Ma Chien (145-90BC) and his theory of the cycles of virtue, though a more intelligible – to modern sociology – would be the work of Ibn Khaldun (1332–1406) and his The Muqaddimah[11] It is here that we gain a coherent theory of social change. One might make a stronger argument that futures studies as a field originated in the early 20th century, intertwined with the birth of systems science in academia, and with the idea of national economic and political planning, most notably in France, theSoviet Union and Eastern bloc countries.

Differing approaches arose in Western Europe (mostly in France), in Eastern Europe (including the Soviet Union), in the post-colonial developing countries, and in the United States of America.[9][12] In the 1950s European people and nations continued to rebuild their war-devastated continent. In the process, academics, philosophers, writers, and artists explored what might constitute a long-term positive future for humanity as a whole, and for their own countries in particular. The Soviet Union and the Eastern bloc countries participated in the European rebuilding, but did so in the context of an established national economic planning process, which also required a long-term, systemic statement of social goals. The newly-independent developing countries of Africa and Asia faced the challenge of constructing industrial infrastructure from a minimal base, as well as constructing national identities with concomitant long-term social goals. By contrast, in the United States of America, futures studies as a discipline emerged from the successful application of the tools and perspectives of systems analysis, especially with regard to quartermastering the war-effort.

There is a perceived schism – though given the globalization of knowledge, generally no longer relevant – between futures studies in America and futures studies in Europe: U.S. practitioners often seem to focus on applied projects, quantitative tools and systems analysis, whereas Europeans seem to investigate the long-range future of humanity and the Earth, what might constitute that future, what symbols and semantics might express it, and who might articulate these.[13][14]

With regard to futures studies within the former centrally-planned economies, or within the newly-developing countries, differences with U.S. futures practice exist primarily because futures researchers in the United States have no opportunity to engage in national planning, nor do their fellow-citizens call upon them to construct national symbols. This is changing in the early 21st century, as early signs of overshoot and collapse are apparent, and modern applications of futures studies techniques found in the UNESCO Sustainability Education materials.

By the late 1960s, enough scholars, philosophers, writers and artists around the world had begun to question and explore possible long-range futures for humanity to form an international dialogue. Inventors such as Buckminster Fuller also began highlighting the effect technology might have on global trends as time progressed. This discussion on the intersection of population growth, resource availability and use, economic growth, quality of life, and environmental sustainability – referred to as the “global problematique” – came to wide public attention with the publication of Limits to Growth, a study sponsored by the Club of Rome.[15] This international dialogue became institutionalized in the form of the World Futures Studies Federation (WFSF), founded in 1967, with the noted sociologist, Johan Galtung, serving as its first president. In the United States, the publisher Edward Cornish, concerned with these issues, started the World Future Society, an organization focused more on interested laypeople.

The field currently faces the great challenge of creating a coherent conceptual framework, codified into a well-documented curriculum (or curricula) featuring widely-accepted and consistent concepts and theoretical paradigms linked to quantitative and qualitative methods, exemplars of those research methods, and guidelines for their ethical and appropriate application within society. As an indication that previously disparate intellectual dialogues have in fact started converging into a recognizable discipline,[16] at least six solidly-researched and well-accepted first attempts to synthesize a coherent framework for the field have appeared: Eleonora Masini’s Why Futures Studies,[17] James Dator‘s Advancing Futures Studies,[18] Ziauddin Sardar‘s Rescuing all of our Futures,[19] Sohail Inayatullah‘s Questioning the future,[20]Richard A. Slaughter‘s The Knowledge Base of Futures Studies,[21] a collection of essays by senior practitioners, and Wendell Bell’s two-volume work, The Foundations of Futures Studies.[22]

Evolving the field – Programs in Futures Studies (by region)

North America

1975 saw the founding of the first graduate program in futures studies in the United States, the M.S. Program in Studies of the Future at the University of Houston–Clear Lake;[23] there followed a year later the M.A. Program in Public Policy in Alternative Futures at the University of Hawaii at Manoa.[24] The Hawai’i program provides particular interest in the light of the schism in perspective between European and U.S. futurists; it bridges that schism by locating futures studies within a pedagogical space defined by neo-Marxism, critical political economic theory, and literary criticism. In the years following the foundation of these two programs, single courses in Futures Studies at all levels of education have proliferated, but complete programs occur only rarely. As a transdisciplinary field, futures studies attracts generalists. This transdisciplinary nature can also cause problems, owing to it sometimes falling between the cracks of disciplinary boundaries; it also has caused some difficulty in achieving recognition within the traditional curricula of the sciences and the humanities. In contrast to “Futures Studies” at the undergraduate level, some graduate programs in strategic leadership or management offer masters or doctorate programs in “Strategic Foresight” for mid-career professionals, some even online. Nevertheless, comparatively few new PhDs graduate in Futures Studies each year.11

Education

Education in the field of futures studies has taken place for some time. STARTING in the United States of America in the 1960s, it has since developed in many different countries. Futures education can encourage the use of concepts, tools and processes that allow students to think long-term, consequentially, and imaginatively. It generally helps students to:

  1. conceptualise more just and sustainable human and planetary futures
  2. develop knowledge and skills in exploring probable and preferred futures
  3. understand the dynamics and influence that human, social and ecological systems have on alternative futures
  4. conscientize responsibility and action on the part of students toward creating better futures.

Thorough documentation of the history of futures education exists, for example in the work of Richard A. Slaughter (2004),[25] David Hicks, Ivana Milojević[26] andJennifer Gidley[27][28][29] to name a few.

While futures studies remains a relatively new academic tradition, numerous tertiary institutions around the world teach it. These vary from small programs, or universities with just one or two classes, to programs that incorporate futures studies into other degrees, (for example in planning, business, environmental studies, economics, development studies, science and technology studies). Various formal Masters-level programs exist on six continents. Finally, doctoral dissertations around the world have incorporated futures studies. A recent survey documented approximately 50 cases of futures studies at the tertiary level.[30]

The largest Futures Studies program in the world is at Tamkang University, Taiwan.[citation needed] Futures Studies is a required course at the undergraduate level, with between three to five thousand students taking classes on an annual basis. Housed in the Graduate Institute of Futures Studies is an MA Program. Only ten students are accepted annually in the program. Associated with the program is the Journal of Futures Studies.[31]

As of 2003, over 40 tertiary education establishments around the world were delivering one or more courses in futures studies. The World Futures Studies Federation[32]has a comprehensive survey of global futures programs and courses. The Acceleration Studies Foundation maintains an annotated list of primary and secondary graduate futures studies programs.[33]

Futurists

Main article: Futurist

Several authors have become recognized as futurists. They research trends (particularly in technology) and write accounts of their observations, conclusions, and predictions. In earlier eras, many of the futurists were attached to academic institutions. For example John McHale, the futurist who wrote the book The Future of the Future, and published a Futures Directory, directed his own Centre For Integrative Studies which was a Think Tank within the university setting. Other early era futurists followed a cycle of publishing their conclusions and then beginning research on the next book. More recently they have started consulting groups or earn money as speakers. Alvin TofflerJohn Naisbitt and Patrick Dixon exemplify this class.

Many business gurus present themselves as pragmatic futurists rather than as theoretical futurists. One prominent international “business futurist“, Frank Feather, coined the phrase “Thinking Globally, Acting Locally” in 1979.

Some futurists share features in common with the writers of science fiction, and indeed some science-fiction writers, such as Arthur C. Clarke, have acquired a certain reputation as futurists. Some writers, though, show less interest in technological or social developments and use the future only as a backdrop to their stories. For example, in the introduction to The Left Hand of DarknessUrsula K. Le Guin wrote of prediction as the business of prophets, clairvoyants, and futurists, not of writers: “a novelist’s business is lying”.

A study (The study consisted of 108 entries; 78 were men and 30 were women. Those from OECD nations accounted for 75 entries and non-OECD 33 entries)[34] on what futurists think found the following shared assumptions. The shared assumptions were:

1. We are in the midst of a historical transformation. Current times are not just part of normal history.

2. Multiple perspectives are at the very heart of futures studies. Multiple methods, finding ways out of the box of conventional thinking, internal critique, cross-civilisational conversations, are among the ways they are expressed.

3. Creation of alternatives. Futurists do not see themselves as merely value-free forecasters but as creators of alternative futures.

4. Participatory futures. Futurists generally see their role as liberating the future in each person. Creating enhanced public ownership of the future. This is true worldwide, for the African or European futurist.

5. Long term policy transformation. While some are more policy oriented than others, almost all believe that the work of the futurist is to shape public policy so it consciously and explicitly takes into account the long term.

6. Part of the process of creating alternative futures and of influencing public (corporate, or international) policy is internal transformation. There was no divide between institutional and inner transformation that one so often notices at international meetings. Futurists saw structural and individual factors as equally important.

7. Complexity. Futurists believe that a simple one-dimensional or single discipline orientation is not satisfactory. Trans-disciplinary approaches that take complexity seriously are necessary. Systems thinking, particularly in its evolutionary dimension, is also seen as crucial.

8. Futurists in general were motivated by a passion for change. They are not content merely to describe the world, or to accurately forecast it. They desire to play an active role in transforming the world, or playing a part in its transformation.

9. The significance of hope cannot be stressed enough as a pivotal force in creating a better future.

10. However, even with hope as a “strange attractor“, pragmatism is not lost sight of. Most believe they are pragmatists, living in this world, even as they imagine and work for another. Futurists understand that they are in a business or mission for the long term. Merely one article, book or vision does not make for transformation. Rather it is consistent effort over a life time that can help create a better world future generations.

11. Sustainability was a recurring theme. Sustainable futures, understood as making decisions that do not reduce the options of future generations, that thus include the long term, the impact of policies on nature, gender and the other, appears to be the accepted paradigm. This is so for the corporate futurist and the NGO. Moreover, sustainability, in its green sense, appears to have been reconciled with the technological, spiritual and post-structural ideal of transformation. It is thus not a simplistic ideal of sustainability (i.e., back to nature) but rather a paradigm that is inclusive of technological and cultural change.

Application of foresight to specific fields

Fashion and design

Fashion is one area of trend forecasting. The industry typically works 18 months ahead of the current selling season. Large retailers look at the obvious impact of everything from the weather forecast to runway fashion for consumer tastes. Consumer behavior and statistics are also important for a long-range forecast.

Artists and conceptual designers, by contrast, may feel that consumer trends are a barrier to creativity. Many of these ‘Startists’ start micro trends but do not follow trends themselves.

Research centers

Futurists and foresight thought leaders

Main article: List of futurologists

Books

Periodicals and Monographs

Organizations

References

  1. ^ futurology. Wordnet.princeton.edu.
  2. ^ Wells, H.G. (1932) 1987. Wanted: Professors of Foresight! Futures Research Quarterly V3N1 (Spring): p. 89-91.
  3. ^ Science Glossary
  4. ^ A sample presentation on risk management
  5. ^ Rohrbeck, Rene (2010) Corporate Foresight: Towards a Maturity Model for the Future Orientation of a Firm, Springer Series: Contributions to Management Science, Heidelberg and New York, ISBN 978-3-7908-2625-8
  6. ^ Rohrbeck, R. H.G. Gemuenden (2010) Corporate Foresight: Its Three Roles in Enhancing the Innovation Capacity of a Firm” Technological Forecasting and Social Change, forthcoming
  7. ^ article about the Future sign
  8. ^ Article by Hiltunen describing the differences of weak signals and wild cards
  9. a b c Bell, Wendell (1997). Foundations of Futures Studies: Human Science for a New Era. New Brunswick, New Jersey, USA: Transaction Publishers. ISBN 1-56000-271-9.
  10. ^ Galtung, Johan and Inayatullah, Sohail (1997). Macrohistory and Macrohistorians. Westport, Ct: Praeger.
  11. ^ Khaldun, Ibn (1967), The Muqaddimah, Trans. Franz Rosenthal, ed. N.J. Dawood. Princeton: Princeton University Press
  12. ^ Masini, Eleonora (1993). Why Futures Studies?. London, UK: Grey Seal Books.
  13. ^ Slaughter, Richard A. (1995). The Foresight Principle: Cultural Recovery in the 21st Century. London, England: Adamantine Press, Ltd..
  14. ^ Sardar, Ziauddin, ed. (1999). Rescuing All Our Futures. Praeger Studies on the 21st Century, Westport, Connecticut, USA.
  15. ^ Meadows, Donella H.; D.L. Meadows, J. Randers, and William W. Behrens III (1972). The Limits to Growth. New York, New York, USA: Universe Books.
  16. ^ Kuhn, Thomas (1975, c1970). The Structure of Scientific Revolutions. University of Chicago Press, Chicago, Illinois, USA.
  17. ^ Masini, Eleonora (1993). Why Futures Studies?. London, UK: Grey Seal Books.
  18. ^ Dator, James (2002), Advancing Futures, Westport: Ct, Praeger, 2002
  19. ^ Sardar, Ziauddin, ed.,(1999) Rescuing all our futures: the futures of futures studies. Westport, Ct: Praeger
  20. ^ Inayatullah, Sohail (2007), Questioning the Future: methods and tools for organizational and societal change. Tamsui: Tamkang University (third edition)
  21. ^ Slaughter, Richard (2005). The Knowledge Base of Futures studies.
  22. ^ Bell, Wendell (1997). The Foundations of Futures Studies.
  23. ^ Markley, Oliver (1998). This program continues at the University of Houston under the guidance of Dr. Peter Bishop. “Visionary Futures: Guided Imagery in Teaching and Learning about the Future”, in American Behavioral Scientist. Sage Publications, New York.
  24. ^ Jones, Christopher (Winter 1992). “The Manoa School of Futures Studies”. Futures Research Quarterly: 19–25.
  25. ^ Slaughter, Richard A. (2004). Futures Beyond Dystopia: Creating Social Foresight. London: RoutledgeFalmer.
  26. ^ Articles by Ivana Milojević
  27. ^ Futures in Education: Principles, Practices and Potential, (Monograph No 5, The Strategic Foresight Monograph Series, 2004)]
  28. ^ The University in Transformation: Global Perspectives on the Futures of the University (Westport, Ct., Bergin and Garvey, 2000)
  29. ^ Youth Futures: Empirical Research and Transformative Visions (Westport, Ct. Praeger, 2002)
  30. ^ Welcome to the World Futures Studies Federation
  31. ^ Journal of Futures Studies
  32. ^ WFSF Directory of Tertiary Futures Education
  33. ^ “Foresight and Futures Studies – Global Academic Programs”. Accelerating.org. 2005-11-04. Retrieved 2009-07-20.
  34. ^ Sohail Inayatullah, ed., The Views of Futurists. Vol 4, The Knowledge Base of Futures Studies. Brisbane, Foresight International, 2001.
  35. ^ “Compressed Data; On a Futurists’ Forum, Money Backs Up Predictions”,The New York Times, April 1, 2002
  36. ^ http://www.thevenusproject.com/
  37. ^ Alter our DNA or robots will take over, warns Hawking
  38. ^ Our species must move to another planet

Further reading

  • Bindé, J. (2001). Keys to the 21st century. New York: Berghahn Books.
  • Bishop, Peter and Hines, Andy. (2006). Thinking about the Future: Guidelines for Strategic Foresight. Social Technologies, Washington, DC.
  • Cornish, Edward (2004). Futuring: The exploration of the future. Bethesda, MD: World Future Society.
  • Dixon, Patrick (1998,2003,2007). Futurewise: Six Faces of Global Change. Profile Books.
  • Ferkiss, V. C. (1977). Futurology: promise, performance, prospects. A Sage policy paper. Beverly Hills: Sage Publications.
  • Flechtheim, O. K. (1966). History and futurology. Meisenheim am Glan: Hain.
  • Galtung, Johan and Inayatullah, Sohail. (1997). Macrohistory and Macrohistorians. Perspectives on individual, social and civilizational change. Westport, Ct, Praeger.
  • Gidley, Jennifer (2007) The Evolution of Consciousness as a Planetary Imperative: An Integration of Integral Views, Integral Review: A Transdisciplinary and Transcultural Journal for New Thought, Research and Praxis, 2007, Issue 5, p. 4-226.
  • Gidley, Jennifer, Bateman, Debra., & Smith, Caroline. (2004). Futures in Education: Principles, Practices and Potential
  • Gidley, Jennifer, & Inayatullah, Sohail (2002). Youth Futures: Comparative Research and Transformative Visions
  • Godet, Michel (2004). Creating Futures Scenario Planning as a Strategic Management Tool. Economica, 2001.
  • Goldsmith, Mike The KnowledgeFantastic Future
  • Gordon, Adam (2009). “Future Savvy,” American Management Association Press, New York
  • History & Mathematics: Analyzing and Modeling Global Development. Edited by Leonid Grinin, Victor C. de Munck, and Andrey Korotayev. Moscow: KomKniga, 2006. P.10-38. ISBN 9785484010011.
  • Hostrop, R. W. (1973). Foundations of futurology in education. [Homewood, Ill: ETC Publications].
  • Inayatullah, Sohail (2007). Questioning the future: Methods and Tools for Organizational and Societal Transformation. Tamsui, Tamkang University. Third Edition.
  • Inayatullah, Sohail, & Gidley, Jennifer. (Eds.). (2000). The University in Transformation: Global Perspectives on the Futures of the University
  • de Jouvenel, Bertrand (1967). The Art of Conjecture. (New York: Basic Books, 1967).
  • Lindgren, Mats and Bandhold, Hans (2003). Scenario Planning-the link between future and strategy. Palgrave Macmillan, Hampshire and New York.
  • Lindgren, Mats et al. (2005). The MeWe Generation. Bookhouse Publishing, Stockholm, Sweden.
  • McGaughey,William (2000). Five Epochs of Civilization: World History as Emerging in Five Civilizations. Minneapolis, Thistlerose.
  • Retzbach, Roman (2005). Future-Dictionary – encyclopedia of the future, New York, USA.
  • Rescher, Nicholas (1998). Predicting the future. Albany, NY: State University of New York Press, ISBN 0-7914-3553-9.
  • Rohrbeck, R., S. Mahdjour, S. Knab, T. Frese (2009) Benchmarking Report – Strategic Foresight in Multinational Companies Report of the European Corporate Foresight Group: Berlin, Germany.
  • Schwarz, J.-O. (2008) Assessing the future of futures studies in management, Futures, Vol. 40, Iss. 3, 237-246.
  • Shakhnazarov, G. K. (1982). Futurology fiasco: a critical study of non-Marxist concepts of how society develops. Moscow: Progress Publishers.
  • Slaughter, Richard A. (1995), Futures for the Third Millennium. Prospect Media, St. Leonards, NSW, Australia, ISBN 1-86316 148-1.
  • Slaughter, Richard A. (2004), Futures Beyond Dystopia: Creating Social Foresight. RoutledgeFarmer, London, UK, ISBN 978-0-4153-0270-8
  • Slaughter, Richard A. (2005). The Knowledge Base of Futures Studies Professional Edition CDROM. Foresight International, Indooroopilly, Australia
  • Thompson, A. E. (1979). Understanding futurology: an introduction to futures study. Newton Abbot [Eng.]: David & Charles.
  • Woodgate, Derek with Pethrick, Wayne R. (2004). Future Frequencies. Fringecore, Austin, Texas, USA

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